When The All-American Rejects debuted their self-titled album in 2002 it was right at the time when I became interested in current pop music. Prior to that, I mostly listened to the music of my older siblings ranging from bands such as Depeche Mode to Cyndi Lauper to R.E.M. to They Might Be Giants to Harry Connick Jr. and … you get the idea (in large families there can be a quite diverse collection). But with the turn of the century came a change in the methods I was exposed to music. I started listening more from mainstream sources than I ever had before, heard about songs and bands from my friends at school, and started to look for what I liked. Turns out I liked most things, but the point here is when this faction of alt-rock/pop punk music aimed directly at teenagers hit the radio waves, I was all for it.
That album was a game changer for me, and I remember it was one of the ones I always kept a CD copy of in my car once I got my license. I still know all the words to every track, and I am not at all ashamed to admit that.
Of course even 3 years later in 2005 when The All-American Rejects sophomore album was released (ironically it coincided with my own sophomore year of high school) I had hit another one of those “I don’t like what’s popular” phases I was so fond of as a teenager and I found the hits from that album annoying and maybe a little trite. Some part of me believed that as I grew and matured they stayed the same, making the same music aimed at the same demographic. In essence, I grew out of it.
Now, however, I can listen a little more objectively. I maintain that the first album was the best one; infectious and fun, tracks such as “Swing, Swing” “My Paper Heart” and “Time Stands Still” made it a stand out record and really sent The All-American Rejects to the front of the line. Creative instrumentation and dynamic arranging are key features for the sound on that album, and I will never tire of it. I am under the impression many of those songs used electronic drum tracks, but I can’t seem to find a source for that information. That’s what it sounds like at any rate.
As for the rest of their albums. The hit singles such as “Gives You Hell” and “Dirty Little Secret” are good tracks, exactly the kind of radio hit I expect. They were overplayed on the radio so my reflex is to skip those songs, but on the rare occasion I do listen to them I like them. For some other tracks you might not know, they had a song on one fo the Transformers movie soundtracks called “Real World” that was pretty good, and I enjoyed “Drown Next To Me” and “Bleed Into Your Mind – Demo” from the Kids In The Street” album.
I think one of the reasons it doesn’t resonate as much with me now as it did at first is the lead singers voice. It’s just a little bit nasally, perhaps even whiny, and it grates on me after a while. But that is a personal preference of mine. I also feel like the dynamic arrangements I loved from the first album didn’t show up on subsequent albums nearly as much
All together, they are a pretty good band and have made some notable pop-rock/pop punk music over the last 15 years. And yes, it has been that long. Kudos to you, All-American Rejects, and may you inspire emoting teenagers everywhere for years to come.